Jul262022 Budgetary woes and endless bureaucracy: the challenges of producing regional theatre in Kosovo FeaturesBy Fatlinda DakuJuly 26, 2022 Details
Jul142022 Hakan Savas Mican: “For a long time migrants were marginalized in theatre” InterviewBy Tom MustrophJuly 14, 2022 Details
Jun142022 Matei Vișniec International Days Festival: combating barbarism and confronting the past FeaturesBy Nick AwdeJune 14, 2022 Details
Jun102022 67th Sterijino Pozorje: a critical dialogue FeaturesBy Borisav Matic and Andrej ČanjiJune 10, 2022 Details
Jun52022 Ivana Vuković: “I write about the things to which I don’t have the answers” InterviewBy Lucija KlarikJune 5, 2022 Details
May312022 The Hungarian State Folk Ensemble: keeping tradition alive Features, InterviewBy Natasha TripneyMay 31, 2022 Details
May302022 The Handke Project: “Peter Handke is a product of the times in which we live” FeaturesBy Borisav MaticMay 30, 2022 Details
May242022 Doruntina Basha: “There is a knife in each of our backs” InterviewBy Gresa HasaMay 24, 2022 Details
May232022 Trains, Flames and Synchronised Clapping: a dramaturg responds to Eurovision FeaturesBy Tommo FowlerMay 23, 2022 Details
May192022 Finding Their Voice: making feminist theatre in Albania InterviewBy Flamur DardeshiMay 19, 2022 Details
