May242022 Doruntina Basha: “There is a knife in each of our backs” InterviewBy Gresa HasaMay 24, 2022 Details
May232022 Trains, Flames and Synchronised Clapping: a dramaturg responds to Eurovision FeaturesBy Tommo FowlerMay 23, 2022 Details
May192022 Finding Their Voice: making feminist theatre in Albania InterviewBy Flamur DardeshiMay 19, 2022 Details
May112022 The Festival of Professional Theatres of Vojvodina: the best theatre in Serbia? FeaturesBy Andrej ČanjiMay 11, 2022 Details
May92022 Uroš Fürst: “Being an actor can be gladiator-like” InterviewBy Natasha TripneyMay 9, 2022 Details
May32022 Deconstructing Konstrakta: the Artist must be analysed FeaturesBy Duška Radosavljević KrojerMay 3, 2022 Details
Apr282022 Sasho Blazeski: “The worst thing an artist can do is be a member of a political party” InterviewBy Ivanka Apostolova BaskarApril 28, 2022 Details
Apr242022 Stand with Ukraine: acts of solidarity in the Western Balkans FeaturesBy Natasha TripneyApril 24, 2022 Details
Apr202022 Pavlica Bajsić Brazzoduro: “Audio creates a whole new dimension” InterviewBy Lucija KlarikApril 20, 2022 Details
Apr192022 Žiga Divjak: “We have to completely change our value system” InterviewBy Natasha TripneyApril 19, 2022 Details
