Kabare 1999
Zana Hoxha directs an atmospheric and inventive relocation of the classic 1960s Kander and Ebb musical to post-war Kosovo
Zana Hoxha directs an atmospheric and inventive relocation of the classic 1960s Kander and Ebb musical to post-war Kosovo
Agon Myftari directs Max Frisch’s still-resonant absurdist classic in an entertaining production at the National Theatre of Kosovo
Hana Qena directs a taut, well-performed production of Johanna Adam’s layered 2013 play about mental health and the school system.
Bujar Ahmeti gives a superb performance in Astrit Kabashi’s play a nuanced portrait of one man’s mental unravelling.
Skënder Podvorica directs an atmospheric production of Patrick Hamilton’s classic play about two young men’s attempts to get away with murder.
Jeton Neziraj’s new play, a coproduction between Qendra Multimedia and the Market Theatre in Johannesburg, explores reconciliation and forgiveness in Kosovo and South Africa.
Jeton Neziraj’s new play, Under the Shade of a Tree I Sat and Wept, explores reconciliation and forgiveness processes in Kosovo and South Africa. Andrej Čanji spoke to the creative team about their research process and how they’re bringing these topics to the stage.
Jeton Neziraj’s potent reworking of a play inspired by the life and legacy of murdered architect Rexhep Luci
US playwright Steven Leigh Morris’ White People is a play about American racial politics that has been reframed for a Balkan audience. Verity Healy explores the issues raised by the play around race and gender and looks at how you adapt a text for a different cultural context.
Actors and artists from Kosovo and Serbia collaborate on an updated, bilingual version of Euripides tragedy