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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Doruntina Basha: "There is a knife in each of our backs"
May 24, 2022
Gresa Hasa
Finding Their Voice: making feminist theatre in Albania
May 19, 2022
Flamur Dardeshi
Deconstructing Konstrakta: the Artist must be analysed
May 3, 2022
Duška Radosavljević Krojer
Stand with Ukraine: acts of solidarity in the Western Balkans
April 24, 2022
Natasha Tripney
Pavlica Bajsić Brazzoduro: “Audio creates a whole new dimension”
April 20, 2022
Lucija Klarik
News
Programme announced for the Mirëdita, Dobar Dan festival
May 22, 2022
Pristina will host the PITF international theater festival in May
May 9, 2022
Sterijino Pozorje festival selection announced
April 7, 2022
LATEST
Reviews, Interviews & Features
May
26
2022
Reviews
The Great Dictator
May
24
2022
Interview
Doruntina Basha: “There is a knife in each of our backs”
May
23
2022
Features
Trains, Flames and Synchronised Clapping: a dramaturg responds to Eurovision
May
19
2022
Interview
Finding Their Voice: making feminist theatre in Albania
May
17
2022
Reviews
The Lepa Brena Project
May
16
2022
Reviews
Burrnesha
May
11
2022
Features
The Festival of Professional Theatres of Vojvodina: the best theatre in Serbia?
May
10
2022
Reviews
Bombardment
May
9
2022
Interview
Uroš Fürst: “Being an actor can be gladiator-like”
see_stage_mag
"At a time when we are having to decide between na
"I wanted to portray female sex workers as they ar
"The choice of perspective of the Moldovan entry i
"Albanian women, in my opinion, are not allowed to
"Five monologues written by five playwrights about
"Jeton Neziraj manages to mine some extremely thou
"The minority Hungarian theatre troupes are far mo
"Their first meeting doesn’t really go to plan;
"When you have no fear of the unpredictable and th
Deconstructing Konstrakta: a discussion of the Ser
"In all of my radiophonic performances I play with
As the devastating war in Ukraine continues, SEEst
"I’m interested in what we consider to be violen
"An intensely collaborative, intensely live experi
"Being provocative used to be the imperative for g
"Theatre Institutions are led by semi-literate med
"You can't change the system from the inside." A d
"I am trying to create polyphony of voices, not on
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