The End of the World in Three Acts
Selma Spahić directs a potent three-part anthology play about violence against women by authors Kristina Kegljen, Katja Gorečan, Tijana Grumić.
Selma Spahić directs a potent three-part anthology play about violence against women by authors Kristina Kegljen, Katja Gorečan, Tijana Grumić.
Haris Pašović and the ensemble of Serbian National Theatre present a piece about the lives of disabled people, their families and carers.
Iva Milošević directs a sensitive, intimate adaptation of the novel by Milica Sniva about one woman’s descent into depression.
Paula Vogel’s two-hander about an abusive relationship, superbly performed by Marta Bogosavljević and Svetozar Cvetković
Prolific director Kokan Mladenović talks to Nick Awde about his recent work, the ensemble system, his thoughts on audiences and the need to resist artistic compromise.
The programme for the 69th Sterijino pozorje, the theatre festival of Serbian national drama, will include work by Ivica Buljan and Selma Spahić.
Miloš Lolić’s rave update of Branislav Nušić’s comedy for the National Theatre of Belgrade is a missed opportunity.
Though written nearly 150 years ago, Albina Podgradska’s play Poor Mileva still feels timely. Duška Radosavljević Krojer talks to director Andjelka Nikolić about why rescuing the play from obscurity is a form of activism.
This absurdist and comical new play by Jelena Mijović and directed by Ivan Vuković is a plea for solidarity in a time of social division.
Andraš Urban’s new show for Novi Sad Theatre is an extravagant cabaret that interrogates and celebrates the role of institutional theatre.