Choreographer Igor Koruga talks to Borisav Matić about his new dance piece Unstable Comrades, his research in the history of queer culture in socialist countries and the West, and performing queerness through dance.
The programme for the 69th Sterijino pozorje, the theatre festival of Serbian national drama, will include work by Ivica Buljan and Selma Spahić.
Director Philip Parr talks about his recent production of Pericles for the Hungarian State Theatre “Csiky Gergely” in Timisoara, his international career and the difference between UK and continental approaches to Shakespeare.
Philip Parr’s engaging production for the Hungarian State Theatre “Csiky Gergely” links Shakespeare’s play to the modern-day migrant crisis.
Theatre maker Lea Kukovičič talks to Borisav Matić about why she staged a symposium on the oppression of men by the patriarchy and why we should stop performing Hamlet
Borisav Matić: reviews two recent revivals of Branislav Nušić’s classic comedy and an early play by Aleksandar Popović, one more successful than the other.
Director Oliver Frljić on the LOST – YOU GO SLAVIA season at the Maxim Gorki Theatre, the history and legacy of Yugoslavia, his new production of Frankenstein and the role of theatre in times of political crises.
This year’s Belgrade International Theatre Festival (BITEF) marked Nikita Milivojević’s first as artistic director. At the end of eight days of performance, Borisav Matić, Andrej Čanji and Natasha Tripney gathered to discuss their impressions of the festival, the highlights and the let-downs.
Robert Lenard, artistic director of Novi Sad Theatre, talks to Borisav Matić about the importance of interculturality, the current state of the independent scene in Hungary and his cabaret based on Foucault.
The 68th Sterijino Pozorje took place earlier this summer in Novi Sad. Critics Borisav Matić and Andrej Čanji discuss this year’s selection.