Working for free and battling a centralised system: a look at what it’s like to be an emerging young theatre artist in Croatia.
Ivana Vuković, the playwright, screenwriter and dramaturg from Split, discusses Croatia’s housing crisis and the need for artistic solidarity.
Review of Dino Pešut’s Bombardment (Granatiranje), a metatheatrical gay love story set against the backdrop of the Yugoslav wars, at KunstTeatar, Zagreb
Croatian theatremaker Pavlica Bajsić Brazzoduro on the development of her particular model of radiophonic theatre and the power of sound
Oliver Frljić on theatre’s response to the war in Ukraine, the concept of ‘character, and making his return to the Croatian theatre scene.
Oliver Frljić to the Croatian theater scene with a mature, complex and atmospheric take on Dostoevsky’s novel at Zagreb Youth Theatre
Croatian playwright Ivor Martinić on his search for artistic autonomy, playing the Author on stage, and how collaboration is one of the founding principles of his work.
What is feminist dramaturgy? Ana Fazekaš explores the different forms feminist dramaturgical practice is taking across the Western Balkan region.
Mirjana Karanović and Doris Šarić Kukuljica star in Marius von Mayenburg’s slippery play at Zagrebačko kazalište mladih (ZKM)
Mittelyoung – part of Mittelfest – has issued an open call for Italian, Central-European and Balkan makers of theatre, music, dance, circus and multidisciplinary arts.