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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Tag Archives: croatia

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Light Falls

ReviewsBy Lucija KlarikOctober 17, 2022

The first production of a play by UK writer Simon Stephens to be staged in Croatia, subtly if unadventurously directed by Janusz Kica

Proving Your Worth: life as an emerging theatre artist in Croatia

FeaturesBy Nora Čulić MatošićAugust 29, 2022

Working for free and battling a centralised system: a look at what it’s like to be an emerging young theatre artist in Croatia.

Ivana Vuković: “I write about the things to which I don’t have the answers”

InterviewBy Lucija KlarikJune 5, 2022

Ivana Vuković, the playwright, screenwriter and dramaturg from Split, discusses Croatia’s housing crisis and the need for artistic solidarity. 

Bombardment

ReviewsBy Nora Čulić MatošićMay 10, 2022

Review of Dino Pešut’s Bombardment (Granatiranje), a metatheatrical gay love story set against the backdrop of the Yugoslav wars, at KunstTeatar, Zagreb

Pavlica Bajsić Brazzoduro: “Audio creates a whole new dimension”

InterviewBy Lucija KlarikApril 20, 2022

Croatian theatremaker Pavlica Bajsić Brazzoduro on the development of her particular model of radiophonic theatre and the power of sound

Oliver Frljić: “Theatre is what happens in the heads of the audience”

InterviewBy Tom MustrophMarch 29, 2022

Oliver Frljić on theatre’s response to the war in Ukraine, the concept of ‘character, and making his return to the Croatian theatre scene.

Brothers Karamazov at ZKM. Photo: Marko Ercegovic

The Brothers Karamazov

ReviewsBy Lucija KlarikMarch 17, 2022

Oliver Frljić to the Croatian theater scene with a mature, complex and atmospheric take on Dostoevsky’s novel at Zagreb Youth Theatre

Ivor Martinić: “Dramaturgs are the most underestimated part of the theatre machinery”

InterviewBy Ana FazekašMarch 6, 2022

Croatian playwright Ivor Martinić on his search for artistic autonomy, playing the Author on stage, and how collaboration is one of the founding principles of his work.

What a Way to Make a Living: the rise of feminist dramaturgy in the Western Balkans

FeaturesBy Ana FazekašFebruary 28, 2022

What is feminist dramaturgy? Ana Fazekaš explores the different forms feminist dramaturgical practice is taking across the Western Balkan region.

Kamen

ReviewsBy Ana FazekašFebruary 9, 2022

Mirjana Karanović and Doris Šarić Kukuljica star in Marius von Mayenburg’s slippery play at Zagrebačko kazalište mladih (ZKM)

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