Unmapping Theater: German theater and its attitude towards the ‘East’
Edona Kryeziu looks at two recent festivals – Radar Ost and Post-West – and what they reveal about German theatre’s relationship with the ‘east’
Edona Kryeziu looks at two recent festivals – Radar Ost and Post-West – and what they reveal about German theatre’s relationship with the ‘east’
Despite climbing numbers of Covid-19 cases and new restrictions, the Talia e Flakës festival, intended to promote Albanian drama, was held in Gjilan, Kosovo, over six-days in January.
Mittelyoung – part of Mittelfest – has issued an open call for Italian, Central-European and Balkan makers of theatre, music, dance, circus and multidisciplinary arts.
Blerta Neziraj, one of Kosovo’s leading theatre directors, talks about international collaboration and the challenges of working as a female theatre director in the country.
Doruntina Basha’s absurdist new play about the way patriarchal society and institutions subject women to judgement and abuse.
On the marginalisation of Roma people on stage and in the wider world, and the role theatre can play in addressing genocide and as an archive of social memory.
This year’s Kosovo Theatre Showcase took place over an intense five day period between 2nd-7th November 2021.
A group of Kosovar, Serbian and American actors set out on a tour of the Balkans with a vibrant modern reworking of a Greek tragedy. Natasha Tripney joined them on the road.
Milo Rau artistic director of NT Gent, Julia Wissert, artistic director of Theater Dortmund, and theatre critic Simon Strauss discuss questions of representation.
Director Blerta Neziraj turns the theatre into the sea in a potent production of Jeton Neziraj’s play for Gjilan City Theater