Nick Awde talks to playwright Jeton Neziraj and director Blerta Neziraj about Six Against Turkey, their darkly comic new play about the fallout from the 2016 coup in Turkey and the long reach of oppressive regimes.
The Mirëdita, Dobar Dan festival was supposed to take place at the end of June this year, only to be cancelled at the last minute by the Serbian authorities. Why was it shut down and what does this mean for the future of the festival?
Haris Pašović’s new show World of Possibilities depicts the everyday lives of disabled people, their families and carers. The director talks to Nick Awde about his methodology and wider questions of inclusion, representation and artistic responsibility.
Director Sebastian Nübling and musician Jackie Poloni talk to Nick Awde about collaboration and their new show exploring what it means to be Slovenian today.
Prolific director Kokan Mladenović talks to Nick Awde about his recent work, the ensemble system, his thoughts on audiences and the need to resist artistic compromise.
Theatre maker Hana Rastoder talks to Nick Awde about 671-LOV, her play about aftermath of the Štrpci massacre and the need for Montenegrin writers to confront the trauma of war.
Following the recent showcase at the New Theatre, Tbilisi, Nick Awde explores how the theatre has transformed itself into one of Georgia’s most cutting-edge cultural spaces.
Mladinsko Theatre’s Goran Injac on making socio-politically engaged theatre and how he views the role of the artistic director.
The Best European Show is a satire of the politics of European theatre inspired by the Eurovision Song Contest. Nick Awde talks to director Haris Pašović about his new international coproduction performed by actors from eight nations.
Nick Awde speaks to playwright Jeton Neziraj, director Blerta Neziraj and actor Orest Pastukh about their timely new international coproduction exploring peace negotiation processes.