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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Tag Archives: Germany

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Dragana Bulut: “Art and life are not separate, they feed each other”

InterviewBy Tom MustrophFebruary 1, 2023

Dancer and choreographer Dragana Bulut’s new work Beyond Love is the third piece in her trilogy about technology. She talks to Tom Mustroph about commodification, the nature of love and making work with a female companion robot.

Mother Courage and Her Children

ReviewsBy Tom MustrophOctober 13, 2022

Oliver Frljic directs an artistically underwhelming production of Brecht’s play Mother Courage and Her Children with an all-female cast at the Maxim Gorki Theatre.

Hakan Savas Mican: “For a long time migrants were marginalized in theatre”

InterviewBy Tom MustrophJuly 14, 2022

Writer, director and filmmaker Hakan Savas Mican on making work about the migrant experience and why it’s important to talk about questions of class.

Stand with Ukraine: acts of solidarity in the Western Balkans

FeaturesBy Natasha TripneyApril 24, 2022

As the devastating war in Ukraine continues, SEEstage writers discuss the acts of solidarity, support and protest being carried out by activists and cultural workers across the region

Laibach: “We don’t belong to one state only – we belong to all of them”

InterviewBy Tom MustrophApril 4, 2022

Laibach on their show Wir sind das Volk, based on the work of Heiner Müller, the relationship between the military,  music and theatre, and the art of provocation

Oliver Frljić: “Theatre is what happens in the heads of the audience”

InterviewBy Tom MustrophMarch 29, 2022

Oliver Frljić on theatre’s response to the war in Ukraine, the concept of ‘character, and making his return to the Croatian theatre scene.

Unmapping Theater: German theater and its attitude towards the ‘East’

FeaturesBy Edona KryeziuFebruary 7, 2022

Edona Kryeziu looks at two recent festivals – Radar Ost and Post-West – and what they reveal about German theatre’s relationship with the ‘east’ 

Lea Draeger and Abak Safaei-Rad in Alles unter Kontrolle. Photo: Ute Langkafel

Alles unter Kontrolle

ReviewsBy Natasha TripneyJanuary 31, 2022

Livestream of Oliver Frljić’s typically provocative promenade performance exploring questions of representation at Berlin’s Maxim Gorki Theatre

Nicoleta Esinencu: On making enemies and creating communities

InterviewBy Tom MustrophJanuary 4, 2022

Moldovan playwright and director Nicoleta Esinencu talks about Symphony of Progress, her new production for Berlin’s HAU and Teatru-Spalatorie, her independent theatre in Chisinau.

Andras Dömötör: “We have to steal back our nationality”

InterviewBy Tom MustrophDecember 20, 2021

Andras Dömötör talks about his new production of Karpatenflecken, for Deutsches Theater, the need to reclaim the idea of nationality from the nationalists and whether it is possible to have true freedom of artistic expression in Orban’s Hungary

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