Dancer and choreographer Dragana Bulut’s new work Beyond Love is the third piece in her trilogy about technology. She talks to Tom Mustroph about commodification, the nature of love and making work with a female companion robot.
Oliver Frljic directs an artistically underwhelming production of Brecht’s play Mother Courage and Her Children with an all-female cast at the Maxim Gorki Theatre.
Writer, director and filmmaker Hakan Savas Mican on making work about the migrant experience and why it’s important to talk about questions of class.
As the devastating war in Ukraine continues, SEEstage writers discuss the acts of solidarity, support and protest being carried out by activists and cultural workers across the region
Laibach on their show Wir sind das Volk, based on the work of Heiner Müller, the relationship between the military, music and theatre, and the art of provocation
Oliver Frljić on theatre’s response to the war in Ukraine, the concept of ‘character, and making his return to the Croatian theatre scene.
Edona Kryeziu looks at two recent festivals – Radar Ost and Post-West – and what they reveal about German theatre’s relationship with the ‘east’
Livestream of Oliver Frljić’s typically provocative promenade performance exploring questions of representation at Berlin’s Maxim Gorki Theatre
Moldovan playwright and director Nicoleta Esinencu talks about Symphony of Progress, her new production for Berlin’s HAU and Teatru-Spalatorie, her independent theatre in Chisinau.
Andras Dömötör talks about his new production of Karpatenflecken, for Deutsches Theater, the need to reclaim the idea of nationality from the nationalists and whether it is possible to have true freedom of artistic expression in Orban’s Hungary