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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Monthly Archives: January 2022

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Lea Draeger and Abak Safaei-Rad in Alles unter Kontrolle. Photo: Ute Langkafel

Alles unter Kontrolle

ReviewsBy Natasha TripneyJanuary 31, 2022

Livestream of Oliver Frljić’s typically provocative promenade performance exploring questions of representation at Berlin’s Maxim Gorki Theatre

A Light in the Dark: Remembering Igor Vuk Torbica

FeaturesBy Andrej ČanjiJanuary 25, 2022

As theatres in Serbia stage a tribute to Igor Vuk Torbica, Andrej Čanji looks back at the life, work and art of the talented young director

Ibi the Great

ReviewsBy Borisav MaticJanuary 19, 2022

Andraš Urban blend meta-theatricality with the grotesque in an energetic update of Alfred Jarry’s aggressively absurdist play at the Sombor National Theatre.

Hello, I am Mephisto

Hello, I am Mephisto

ReviewsBy Flamur DardeshiJanuary 18, 2022

Dino Mustafic explodes Goethe’s Faust in a vibrant, penetrating and highly physical production at Tirana’s National Experimental Theater

Espi Tomičić: “It’s no longer shameful to talk about your background if you have grown up poor”

InterviewBy Ana FazekašJanuary 16, 2022

Croatian playwright Espi Tomičić talks about gender and dramaturgy, the performance of masculinity and combining art with activism.

Belgrade theatres face wave of Covid cancellations

NewsBy Natasha TripneyJanuary 16, 2022

Theatres in Belgrade face a wave of cancellations and postponements as Covid-19 cases continue to climb.

The Novak Djoković saga and Serbian cultural representation

FeaturesBy Duška Radosavljević KrojerJanuary 13, 2022

The ongoing saga surrounding Novak Djoković’s attempts to enter Australia has dominated headlines across the world. Duška Radosavljević Krojer explores the way the Serbian tennis star – and Serbian stories more generally – are represented in the media

Trimalchio’s Dinner

ReviewsBy Iva Š. SlosarJanuary 12, 2022

Bojana Lazić directs an entertainingly meta-theatrical staging based on Petronius’s Satyricon for Slovensko mladinsko gledališče

Blerta Neziraj: “As a female theatre director in Kosovo, you have to fight constantly.”

InterviewBy Verity HealeyJanuary 9, 2022

Blerta Neziraj, one of Kosovo’s leading theatre directors, talks about international collaboration and the challenges of working as a female theatre director in the country.

Coriolanus

ReviewsBy Flamur DardeshiJanuary 9, 2022

Altin Basha’s staging of Shakespeare’s play for the National Theatre of Albania favours spectacle and sword-play over subtlety.

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