Ana Fazekaš (Zagreb, 1990) is a critic, editor, and essayist in the fields of performing arts, literature, and pop culture, currently working as freelance writer for various publications including
Kulturpunkt.hr,
Kazalište,
Kretanja/Movements,
Kritika HDP, and
Booksa. She holds an MA in Comparative Literature and Russian Language and Literature, and is currently working on her PhD thesis on the Faculty of Humanities and Social Sciences in Zagreb, focused on psychoanalysis, gender studies and transdisciplinary art theory.
Croatian playwright Ivor Martinić on his search for artistic autonomy, playing the Author on stage, and how collaboration is one of the founding principles of his work.
What is feminist dramaturgy? Ana Fazekaš explores the different forms feminist dramaturgical practice is taking across the Western Balkan region.
Mirjana Karanović and Doris Šarić Kukuljica star in Marius von Mayenburg’s slippery play at Zagrebačko kazalište mladih (ZKM)
Croatian playwright Espi Tomičić talks about gender and dramaturgy, the performance of masculinity and combining art with activism.
Tena Štivičić’s new play about a couple’s struggles to conceive a child via the IVF process at the Croatian National Theatre in Zagreb.
Olja Lozica’s exploration of grief, loss and time, a co=production between PlayDrama and Zagreb Youth Theatre (ZKM).