Sajza Flower
Endri Çela directs a moving play about the harsh conditions in the Tepelena Camp drawing from real-life testimonies.
Poor Mileva, an orphan from Bosnia in our civilization in 1878
Anđelka Nikolić, resurrects a forgotten text by Albina Podgradska, the first play to be signed by a woman in Serbia
A Rainy Day in Gurlitsch
Director Sebastijan Horvat and dramaturg Milan Ramšak Marković’s twisty psychological horror about one man’s mental unravelling.
The Queens of the Night Club
Bruch’ and Klaudia Piroli present a new performance exploring national identity inspired by the life of actor Alexander Moisiu
Girls
Director Tjaša Črnigoj and the Igralke Collective stage a thoughtful exploration of women’s sex education through history
The Best European Show
Haris Pašović directs an ambitious international co-production about the plight of Europe – and European theatre – today
Angel of Ice
Árpád Schilling’s well-acted if overlong play about the hypocrisy of the wealthy and a journalist who decides to do good with her life
Michael Kohlhaas
Boris Lješević and Fedor Šili’s skilful but disinterested adaption of Heinrich von Kleist’s play about one man’s fight against injustice.
The Traitor’s Niche
Kushtrim Koliqi directs Doruntina Basha’s modernised adaption of the novel by Ismail Kadare at the National Theatre of Kosovo
The End of the World in Three Acts
Selma Spahić directs a potent three-part anthology play about violence against women by authors Kristina Kegljen, Katja Gorečan, Tijana Grumić.