Cadela Força Trilogy – Chapter I: The Bride and Goodnight Cinderella
Carolina Bianchi impactfully fuses performance art and theatre in the first part of a trilogy about sexual violence.
We Are Going to Make Something about War, Gender and Liberty, It Will Be Titled: What Would Chelsea Say
Participatory installation performance by Irena Ristić and Đorđe Živadinović Grgur asking questions about the US whistleblower, information and identity.
Kazimir and Karolina
Nina Rajić Kranjac directs a striking production of Ödön von Horváth’s play set during the rise of fascism.
Rupture
Jan Krmelj directs a slow-placed but provocative production of a play that explores the line between truth and conspiracy.
Macbeth
Adrian Morina and Gresa Pallaska excel in Qëndrim Rijani’s lavish production of Shakespeare’s tragedy for the National Theatre of Kosovo.
Mellowing
Hypnotic dance piece choreographed by Christos Papadopoulos for Berlin’s Dance On Ensemble and featuring performers over the age of 40.
Hecuba, Not Hecuba
Tiago Rodrigues’ new play for the Comédie-Française weaves together an ancient Greek tragedy with a play about contemporary social issues.
The Marriage
Norbert Rakowski directs a psychologically rich production of Witold Gombrowicz’s dream-play at the National Theater of Kosovo.
No One is Forgotten and We Remember Nothing
Bojana Lazić directs an atmospheric and female-led staging of Mirjana Drljević‘s filmic novel about memory and the trauma of the past.
Hey, Don’t Walk Around Stark Naked
Miloš Lolić directs an inventive and well-acted staging of Georges Feydeau’s farcical comedy at Novi Sad Theatre.