The End of the World in Three Acts
Selma Spahić directs a potent three-part anthology play about violence against women by authors Kristina Kegljen, Katja Gorečan, Tijana Grumić.
Slovenia Counts
Sebastian Nübling and musician Jackie Poloni’s intensely physical devised piece about what it feels like to be Slovenian.
A World of Possibilities
Haris Pašović and the ensemble of Serbian National Theatre present a piece about the lives of disabled people, their families and carers.
Symptoms
Iva Milošević directs a sensitive, intimate adaptation of the novel by Milica Sniva about one woman’s descent into depression.
Before Sunset
Andia Xhunga and Indrit Çobani’s well-acted and psychologically nuanced staging of a play by Gerhart Hauptmann at Teatri Metropol
The Welkin
Sebastijan Horvat directs an atmospheric production of Lucy Kirkwood’s play about a woman on trial for her life
How I Learned to Drive
Paula Vogel’s two-hander about an abusive relationship, superbly performed by Marta Bogosavljević and Svetozar Cvetković
Department of Dreams
Besim Ugzmajli directs Jeton Neziraj’s thought-provoking, dystopian and suitably dream-like drama at the Dodona Theatre
Sex Education II
Informative and engagingly presented five-part lecture performance series exploring different facets of female pleasure at the New Post Office.
Mister Dolar
Miloš Lolić’s rave update of Branislav Nušić’s comedy for the National Theatre of Belgrade is a missed opportunity.