Holy Mothers
Nina Ramšak Marković directs a striking, superbly performed production of Werner Schwab’s scatological, blackly comic debut play.
Invisible Women
Ivana Djilas’ adaptation of Slavenka Drakulić’s stories about growing older as a woman merges puppetry and performance.
Sediment
Writer Katarina Morano and director Žiga Divjak’s nuanced play about families, emotional inheritance and the things we leave behind.
52 Hertz
Mojca Madon directs an expanded, conceptual version of Tijana Grumić’s coming-of-age tale for SNG Nova Gorica.
Once Upon a Time in Brijuni
Branislav Trifunović, Milan Marić, Tihana Lazović, and Sanja Marković star in Kokan Mladenović’s entertaining play about Richard Burton, Tito and the roles people play.
this is my truth, tell me yours
Jasna Žmak’s personal solo show exploring internalised homophobia and misogyny, gender dysphoria and masturbation.
The Loser
Nataša Radulović, elegantly fuses Pushkin’s play, Mozart and Salieri with Thomas Bernhard’s The Loser in an exploration of genius and the pursuit of perfection.
The Gospel According to F.M. Dostoyevsky
Jernej Lorenci directs a minimalistic, philosophical show based on fragments from a number of Dostoyevsky’s novels at the Serbian National Theatre, Novi Sad.
Jackpot
Ivor Martinić’s smart, funny and well-performed play about the impact money can have on people, at Zagreb’s Kunst Teatar.
Address to the Nation
Bojan Djordjev directs an exuberant production of Italian actor and writer Ascanio Celestini’s satirical text Address to the Nation.