Mister Dolar
Miloš Lolić’s rave update of Branislav Nušić’s comedy for the National Theatre of Belgrade is a missed opportunity.
Miloš Lolić’s rave update of Branislav Nušić’s comedy for the National Theatre of Belgrade is a missed opportunity.
Philip Parr’s engaging production for the Hungarian State Theatre “Csiky Gergely” links Shakespeare’s play to the modern-day migrant crisis.
Driada Dervishi’s resonant adaptation of the play by Stefano Massini for an Albanian context is a call for solidarity.
This absurdist and comical new play by Jelena Mijović and directed by Ivan Vuković is a plea for solidarity in a time of social division.
Andraš Urban’s new show for Novi Sad Theatre is an extravagant cabaret that interrogates and celebrates the role of institutional theatre.
Dražen Krešić and Katarina Krešić’s exuberantly performed, thrillingly theatrical and seriously funny take on Alfred Jarry’s play marks them out as talents to watch.
Patrik Lazić’s inventively staged and emotive production based on Gaspar Noe’s psychological horror film
Stevan Bodroža’s ambitious if unrelentingly violent production based on Enes Halilović’s novel about life on the criminal fringes in Novi Pazar.
Kiço Londo’s faithful but underdeveloped production of Sophocles’ tragedy for Teatri Shëtitës Çajupi.
Matija Ferlin’s chilly production of Jon Fosse’s play about the broken relationship between a mother and her son for INK Pula.