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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Category Archives: Reviews

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Schlachten

ReviewsBy Tom MustrophMarch 26, 2023

Oliver Frljić completes his Maxim Gorki war trilogy with a piece drawing on Heiner Muller to explore war and slaughter throughout history

An Amp and a Guitar

ReviewsBy Divna StojanovMarch 21, 2023

Ivana Janošev’s engaging production based on the writing of Slobodan Tišma makes the case for giving young artists access to institutional stages in Novi Sad.

Arbri

ReviewsBy Bora ShpuzaMarch 20, 2023

Lirak Çelaj’s moving new play about an old man grappling with dementia, memory and the ghosts of the past, opens at Teatri Oda

Children

ReviewsBy Andrej ČanjiMarch 16, 2023

Irena Popović composes and directs a moving operatic version of Milena Marković’s verse novel Children at National Theatre, Belgrade

Kralj Ubu

ReviewsBy Lucija KlarikMarch 13, 2023

Miran Kurspahić directs a multi-layered, vivacious and unapologetic take on Alfred Jarry’s provocative play.

Antigone – It’s Nice When You Fall Softly

ReviewsBy Borisav MaticMarch 8, 2023

Romano Nikolić’s response to Sophocles’ Antigone at Ujvideki Szinhaz, Novi Sad, results in a mishmash of themes and ideas

The Idiot

ReviewsBy Andrej ČanjiMarch 2, 2023

A talented young ensemble elevate Ivica Buljan’s production of Vladimir Tabašević’s adaptation of Dostoyevsky’s classic novel at Belgrade Drama Theatre

Animal Farm

ReviewsBy Mirela GracanacFebruary 26, 2023

Choreographer Miloš Isailović’s dance performance brings life to George Orwell’s classic allegorical novel, Animal Farm, at BITEF Teatar.

Ifigenija

ReviewsBy Mirela GracanacFebruary 14, 2023

Zoran Rakočević’s lively and gripping adaptation places Euripides’ Iphigenia in a modern social context

Fear and Misery of the Third Reich

ReviewsBy Živa KaduncFebruary 3, 2023

Sebastijan Horvat’s production for the Mladinsko Theatre deconstructs Brecht’s commentary on rising fascism

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