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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Category Archives: Reviews

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  2. Category "Reviews"

Rupture

ReviewsBy Andrej ČanjiOctober 9, 2024

Jan Krmelj directs a slow-placed but provocative production of a play that explores the line between truth and conspiracy.

Macbeth

ReviewsBy Bora ShpuzaOctober 8, 2024

Adrian Morina and Gresa Pallaska excel in Qëndrim Rijani’s lavish production of Shakespeare’s tragedy for the National Theatre of Kosovo.

Mellowing

ReviewsBy Borisav MaticOctober 2, 2024

Hypnotic dance piece choreographed by Christos Papadopoulos for Berlin’s Dance On Ensemble and featuring performers over the age of 40.

Hecuba, Not Hecuba

ReviewsBy Mina MiloševićOctober 1, 2024

Tiago Rodrigues’ new play for the Comédie-Française weaves together an ancient Greek tragedy with a play about contemporary social issues.

The Marriage

ReviewsBy Tringë ArifiSeptember 30, 2024

Norbert Rakowski directs a psychologically rich production of Witold Gombrowicz’s dream-play at the National Theater of Kosovo.

No One is Forgotten and We Remember Nothing

ReviewsBy Ana OgrizovićSeptember 26, 2024

Bojana Lazić directs an atmospheric and female-led staging of Mirjana Drljević‘s filmic novel about memory and the trauma of the past.

Hey, Don’t Walk Around Stark Naked

ReviewsBy Divna StojanovSeptember 23, 2024

Miloš Lolić directs an inventive and well-acted staging of Georges Feydeau’s farcical comedy at Novi Sad Theatre.

Cyrano

ReviewsBy Divna StojanovJune 24, 2024

Gorčin Stojanović directs a well-performed if dramatically under-powered production of Edmond Rostand’s play

Sajza Flower

ReviewsBy Oriada DajkoJune 19, 2024

Endri Çela directs a moving play about the harsh conditions in the Tepelena Camp drawing from real-life testimonies.

Poor Mileva, an orphan from Bosnia in our civilization in 1878

ReviewsBy Divna StojanovJune 13, 2024

Anđelka Nikolić, resurrects a forgotten text by Albina Podgradska, the first play to be signed by a woman in Serbia

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