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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Category Archives: Reviews

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The Divine Comedy

ReviewsBy Andrej ČanjiDecember 11, 2022

Review of Frank Castorf’s carnivalesque, extravagant six-hour production of The Divine Comedy, at Belgrade Drama Theatre.

Love’s End

ReviewsBy Flamur DardeshiDecember 6, 2022

Eric Vigner directs a jarringly classical staging of Pascal Rambert’s play about the break-up of a relationship

Club Albania

ReviewsBy Bora ShpuzaDecember 3, 2022

Fatos Berisha directs a witty and brilliantly metatheatrical new play based on Çajupi’s After Death, at the National Theatre of Kosovo’s new temporary stage.

Macbeth

ReviewsBy Natasha TripneyNovember 28, 2022

Nebojša Dugalić and Nataša Ninković star in Jagoš Marković’s production of Shakespeare’s tragedy at the National Theatre Belgrade

Father and Father

ReviewsBy Oriada DajkoNovember 16, 2022

Intimate production of Jeton Neziraj’s play about loss and the families of the missing, presented as part of the Kosovo Theatre Showcase

Sloboština Barbie

ReviewsBy Lucija KlarikNovember 7, 2022

Lively, music-infused concert-staging of Maše Kolanović’s popular novel Sloboština Barbie about growing up in Croatia at Zagreb’s KunstTeatar

Our Son

ReviewsBy Natasha TripneyNovember 1, 2022

Patrik Lazić’s nuanced and moving autobiographical play about a young gay man seeking his parents’ acceptance

Ivanov

ReviewsBy Flamur DardeshiOctober 30, 2022

Hervin Çuli’s underpowered and underwhelming production of Chekhov’s masterpiece at the National Theater of Albania.

All Adventurous Women Do

ReviewsBy Borisav MaticOctober 25, 2022

Selma Spahić directs Tanja Šljivar’s complex play about teenage sexuality inspired by real-life events

World Without Women

ReviewsBy Borisav MaticOctober 19, 2022

Olga Dimitrijević and Maja Pelević’s witty and insightful show diagnoses inequalities and a culture of self-exploitation in the Serbian theatre scene

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