All Good Barbies
Đorđe Nešović’s humorous and relatable staging based on the novel by Katarina Mitrović about a young woman going through a life crisis.
Mina Milošević is a playwright, dramaturg, screenwriter, and theoretician based in Belgrade. She holds a BA in Dramaturgy and an MA in Theory of Drama Arts at the Faculty of Dramatic Arts in Belgrade. She worked as a dramaturg on plays in Atelje 212, Belgrade Drama Theatre, Yugoslav Drama Theatre, National Theatre in Belgrade, and Oda Theatre in Prishtina. Her play "Dr Ausländer (Made for Germany)" was presented at BITEF festival 2022. Her master's thesis on female friendship in Serbian contemporary theatre won the "Professor Boško Milin" Award.
Cadela Força Trilogy – Chapter I: The Bride and Goodnight Cinderella
Carolina Bianchi impactfully fuses performance art and theatre in the first part of a trilogy about sexual violence.
Hecuba, Not Hecuba
Tiago Rodrigues’ new play for the Comédie-Française weaves together an ancient Greek tragedy with a play about contemporary social issues.
Symptoms
Iva Milošević directs a sensitive, intimate adaptation of the novel by Milica Sniva about one woman’s descent into depression.
How I Learned to Drive
Paula Vogel’s two-hander about an abusive relationship, superbly performed by Marta Bogosavljević and Svetozar Cvetković
Fear in the Opera
This absurdist and comical new play by Jelena Mijović and directed by Ivan Vuković is a plea for solidarity in a time of social division.
People Without Graves
Stevan Bodroža’s ambitious if unrelentingly violent production based on Enes Halilović’s novel about life on the criminal fringes in Novi Pazar.
Mum
Nebojša Bradić directs Morgan Lloyd Malcolm’s emotive play about post-natal depression and new motherhood.
Prima Facie
Maša Dakić gives a phenomenal performance in a powerful one-woman play about rape and the failings of the legal system, directed by Anja Suša.
The Future
Žiga Divjak directs a wordless piece about climate change and humanity’s impact on the planet at Belgrade Drama Theatre