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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Category Archives: Reviews

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Climax

ReviewsBy Ana OgrizovićFebruary 29, 2024

Patrik Lazić’s inventively staged and emotive production based on Gaspar Noe’s psychological horror film

People Without Graves

ReviewsBy Mina MiloševićFebruary 26, 2024

Stevan Bodroža’s ambitious if unrelentingly violent production based on Enes Halilović’s novel about life on the criminal fringes in Novi Pazar.

Electra

ReviewsBy Belkisa ZheleguFebruary 21, 2024

Kiço Londo’s faithful but underdeveloped production of Sophocles’ tragedy for Teatri Shëtitës Çajupi.

Mother and Child

ReviewsBy Nora Čulić MatošićFebruary 13, 2024

Matija Ferlin’s chilly production of Jon Fosse’s play about the broken relationship between a mother and her son for INK Pula.

Mum

ReviewsBy Mina MiloševićFebruary 8, 2024

Nebojša Bradić directs Morgan Lloyd Malcolm’s emotive play about post-natal depression and new motherhood.

Prima Facie

ReviewsBy Mina MiloševićFebruary 5, 2024

Maša Dakić gives a phenomenal performance in a powerful one-woman play about rape and the failings of the legal system, directed by Anja Suša.

The Tin Drum

ReviewsBy Ana OgrizovićFebruary 3, 2024

Vasil Hristov’s smart, sharp meta-theatrical production of Gunter Grasse’s seminal novel at Yugoslav Drama Theatre.

The Argonauts

ReviewsBy Živa KaduncJanuary 31, 2024

Director Michał Borczuch and dramaturg Tomasz Śpiewak’s adaptation of Maggie Nelson’s semi-autobiographical novel explores non-traditional family structures in Slovenia.

The Mother

ReviewsBy Belkisa ZheleguJanuary 25, 2024

Ema Andrea gives a masterful performance in an experimental production of Florian Zeller’s play at the National Experimental Theatre in Tirana.

The Cabinet Minister’s Wife/Ljubinko and Desanka

ReviewsBy Borisav MaticJanuary 17, 2024

Borisav Matić: reviews two recent revivals of Branislav Nušić’s classic comedy and an early play by Aleksandar Popović, one more successful than the other.

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