Angel of Ice
Árpád Schilling’s well-acted if overlong play about the hypocrisy of the wealthy and a journalist who decides to do good with her life
Michael Kohlhaas
Boris Lješević and Fedor Šili’s skilful but disinterested adaption of Heinrich von Kleist’s play about one man’s fight against injustice.
The Traitor’s Niche
Kushtrim Koliqi directs Doruntina Basha’s modernised adaption of the novel by Ismail Kadare at the National Theatre of Kosovo
The End of the World in Three Acts
Selma Spahić directs a potent three-part anthology play about violence against women by authors Kristina Kegljen, Katja Gorečan, Tijana Grumić.
Slovenia Counts
Sebastian Nübling and musician Jackie Poloni’s intensely physical devised piece about what it feels like to be Slovenian.
A World of Possibilities
Haris Pašović and the ensemble of Serbian National Theatre present a piece about the lives of disabled people, their families and carers.
Symptoms
Iva Milošević directs a sensitive, intimate adaptation of the novel by Milica Sniva about one woman’s descent into depression.
Before Sunset
Andia Xhunga and Indrit Çobani’s well-acted and psychologically nuanced staging of a play by Gerhart Hauptmann at Teatri Metropol
The Welkin
Sebastijan Horvat directs an atmospheric production of Lucy Kirkwood’s play about a woman on trial for her life
How I Learned to Drive
Paula Vogel’s two-hander about an abusive relationship, superbly performed by Marta Bogosavljević and Svetozar Cvetković