Though written nearly 150 years ago, Albina Podgradska’s play Poor Mileva still feels timely. Duška Radosavljević Krojer talks to director Andjelka Nikolić about why rescuing the play from obscurity is a form of activism.
This absurdist and comical new play by Jelena Mijović and directed by Ivan Vuković is a plea for solidarity in a time of social division.
Andraš Urban’s new show for Novi Sad Theatre is an extravagant cabaret that interrogates and celebrates the role of institutional theatre.
Patrik Lazić’s inventively staged and emotive production based on Gaspar Noe’s psychological horror film
Every year Bitef Teatar showcases the best of Serbia’s diverse independent scene. Mirela Gračanac explores this year’s programme and three shows that critique the systems within which live.
Stevan Bodroža’s ambitious if unrelentingly violent production based on Enes Halilović’s novel about life on the criminal fringes in Novi Pazar.
Andrej Čanji explores the particular mix of flavours and ingredients that make up the work of theatre director Andraš Urban.
Nebojša Bradić directs Morgan Lloyd Malcolm’s emotive play about post-natal depression and new motherhood.
Maša Dakić gives a phenomenal performance in a powerful one-woman play about rape and the failings of the legal system, directed by Anja Suša.
Vasil Hristov’s smart, sharp meta-theatrical production of Gunter Grasse’s seminal novel at Yugoslav Drama Theatre.