Hana Rastoder: “I want to make revolutions in theatre”
Theatre maker Hana Rastoder talks to Nick Awde about 671-LOV, her play about aftermath of the Štrpci massacre and the need for Montenegrin writers to confront the trauma of war.
Theatre maker Hana Rastoder talks to Nick Awde about 671-LOV, her play about aftermath of the Štrpci massacre and the need for Montenegrin writers to confront the trauma of war.
Director Philip Parr talks about his recent production of Pericles for the Hungarian State Theatre “Csiky Gergely” in Timisoara, his international career and the difference between UK and continental approaches to Shakespeare.
Informative and engagingly presented five-part lecture performance series exploring different facets of female pleasure at the New Post Office.
Miloš Lolić’s rave update of Branislav Nušić’s comedy for the National Theatre of Belgrade is a missed opportunity.
Philip Parr’s engaging production for the Hungarian State Theatre “Csiky Gergely” links Shakespeare’s play to the modern-day migrant crisis.
Though written nearly 150 years ago, Albina Podgradska’s play Poor Mileva still feels timely. Duška Radosavljević Krojer talks to director Andjelka Nikolić about why rescuing the play from obscurity is a form of activism.
Driada Dervishi’s resonant adaptation of the play by Stefano Massini for an Albanian context is a call for solidarity.
This absurdist and comical new play by Jelena Mijović and directed by Ivan Vuković is a plea for solidarity in a time of social division.
Andraš Urban’s new show for Novi Sad Theatre is an extravagant cabaret that interrogates and celebrates the role of institutional theatre.
Dražen Krešić and Katarina Krešić’s exuberantly performed, thrillingly theatrical and seriously funny take on Alfred Jarry’s play marks them out as talents to watch.