St. George Slays the Dragon
Milan Nešković’s lavish and well-acted but overly faithful production of Dušan Kovačević’s play.
Milan Nešković’s lavish and well-acted but overly faithful production of Dušan Kovačević’s play.
Robert Lenard’s playful, funny and strongly performed dystopian cabaret – complete with AI–generated music – at Novi Sad Theatre.
As the year draws to a close, SEEstage’s writers across the region discuss the shows that made a lasting impression on them in 2024.
Dritëro Kasapi, artistic director of Sweden’s Riksteatern, talks to Duška Radosavljević about growing up as an Albanian in Macedonia, being labelled a ‘migrant director’ and his belief that theatre can build bridges.
John Malkovich’s directs an accessible, entertaining and textually faithful if unadventurous production of George Bernard Shaw’s romantic comedy.
YEBBA’s inventive and funny ‘dance concert’ dynamically explores the anxiety and precarity of life as an artist in Slovenia
Director Ivica Buljan’s dynamically performed and visually striking remix of the play by Chekhov, presented as part of Festival Ljubljana.
Altin Basha directs a powerful production of Shelagh Stephenson’s play about domestic abuse.
Actors and artists from Kosovo and Serbia collaborate on an updated, bilingual version of Euripides tragedy
The Union of Artists of the National Theatre in Kosovo has been on a general strike since 15 November.