The End of the World in Three Acts
Selma Spahić directs a potent three-part anthology play about violence against women by authors Kristina Kegljen, Katja Gorečan, Tijana Grumić.
Slovenia Counts
Sebastian Nübling and musician Jackie Poloni’s intensely physical devised piece about what it feels like to be Slovenian.
A World of Possibilities
Haris Pašović and the ensemble of Serbian National Theatre present a piece about the lives of disabled people, their families and carers.
Symptoms
Iva Milošević directs a sensitive, intimate adaptation of the novel by Milica Sniva about one woman’s descent into depression.
Before Sunset
Andia Xhunga and Indrit Çobani’s well-acted and psychologically nuanced staging of a play by Gerhart Hauptmann at Teatri Metropol
The Welkin
Sebastijan Horvat directs an atmospheric production of Lucy Kirkwood’s play about a woman on trial for her life
Blerta Neziraj: “People never seem to learn from their tragedies”
Kosovan director Blerta Neziraj talks to Duška Radosavljević about revisiting her production of Balkan Bordello in Sweden with a Swedish cast, on different approaches to theatre and the value of international collaboration.
How I Learned to Drive
Paula Vogel’s two-hander about an abusive relationship, superbly performed by Marta Bogosavljević and Svetozar Cvetković
Slovenia Counts: Sebastian Nübling and Jackie Poloni
Director Sebastian Nübling and musician Jackie Poloni talk to Nick Awde about collaboration and their new show exploring what it means to be Slovenian today.
Department of Dreams
Besim Ugzmajli directs Jeton Neziraj’s thought-provoking, dystopian and suitably dream-like drama at the Dodona Theatre