Bojana Lazić directs an entertainingly meta-theatrical staging based on Petronius’s Satyricon for Slovensko mladinsko gledališče
Žiga Divjak’s new work for Slovensko mladinsko gledališče finds an intriguing form for exploring the complex and emotive subject matter of environmental crisis.
Haris Pašović directs Strindberg’s play at Madlenianum Theatre in Belgrade setting it in contemporary Slovenia.
Mateja Koležnik’s production of The Crucible (Hexenjagd) is currently being presented by the Berliner Ensemble. Tom Mustroph talks to the director about the political climate in Slovenia and why we now live in the digital Middle Ages.