Theatre in Times of Crisis: “We will have to reinvent ourselves”
Tom Mustroph spoke to theatre practitioners from Ukraine, Israel, and Hong Kong about the different ways in which theatre can react to catastrophe.
Tom Mustroph spoke to theatre practitioners from Ukraine, Israel, and Hong Kong about the different ways in which theatre can react to catastrophe.
The Best European Show is a satire of the politics of European theatre inspired by the Eurovision Song Contest. Nick Awde talks to director Haris Pašović about his new international coproduction performed by actors from eight nations.
The 63rd International Theater Festival MESS took place between 30th September and 8th October in Sarajevo. Ana Ogrizović reports on this year’s programme including the world premiere of a new production of Susan Sontag’s Alice in Bed.
This year’s Belgrade International Theatre Festival (BITEF) marked Nikita Milivojević’s first as artistic director. At the end of eight days of performance, Borisav Matić, Andrej Čanji and Natasha Tripney gathered to discuss their impressions of the festival, the highlights and the let-downs.
Nick Awde speaks to playwright Jeton Neziraj, director Blerta Neziraj and actor Orest Pastukh about their timely new international coproduction exploring peace negotiation processes.
The creators of Singing Youth Judit Böröcz, György Bence Pálinkás and Máté Szigeti discuss inherited power structures and Hungarian politics past and present.
The Belgrade Pride Theatre Festival takes place every year during Pride Week. Andrej Čanji reports on this year’s programme and two very different explorations of queer lives in the region.
In 1999, 15 members of the Bogujevci family were massacred in their garden in Kosovo. Nick Awde discusses artistic responsibility and bearing witness with the creative team behind a new cross-cultural production exploring their story.
Unlimited, a unique collaboration between Handikos and Artpolis, opened up Kosovo’s stages to disabled performers. Fatlinda Daku reports on a project that aims to make theatre more accessible and inclusive.
This year’s Croatian Theatre Showcase took place between 18th-21st May. Andrej Čanji reports on a diverse and varied programme that explored and exposed the hidden, the invisible and the absent.