Karolina Bugajak on the 27th edition of the Mladi Levi Festival, which took place this August in Ljubljana, its innovative international programme and the festival as a political space
The Mirëdita, Dobar Dan festival was supposed to take place at the end of June this year, only to be cancelled at the last minute by the Serbian authorities. Why was it shut down and what does this mean for the future of the festival?
A new production for young people based on the teen sex manual Sex for Beginners is opening up conversations about sex on the Serbian stage. Divna Stojanov discusses the lack of such discussion in schools and on stage, and how this show’s open attitude makes a refreshing change.
Every year Bitef Teatar showcases the best of Serbia’s diverse independent scene. Mirela Gračanac explores this year’s programme and three shows that critique the systems within which live.
Following the recent showcase at the New Theatre, Tbilisi, Nick Awde explores how the theatre has transformed itself into one of Georgia’s most cutting-edge cultural spaces.
Andrej Čanji explores the particular mix of flavours and ingredients that make up the work of theatre director Andraš Urban.
Tamás Jászay provides an insider’s view on the 6th edition of dunaPart, the Hungarian independent performing arts showcase, which took place in November 2023.
As the year draws to a close, SEEstage’s writers across the region discuss the shows that made a lasting impression on them in 2023.
Trojan Women – Replica is an ambitious cross-cultural coproduction between Kosovo’s Artpolis and Serbia’s DAH Theater. Florida Kastrati talks to the cast and directors about the piece’s unique development process in Belgrade and Prishtina.
Tom Mustroph spoke to theatre practitioners from Ukraine, Israel, and Hong Kong about the different ways in which theatre can react to catastrophe.