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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Category Archives: Features

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Kosovo’s National Theatre Has a New Director (maybe)

FeaturesBy Flamur DardeshiMarch 3, 2022

Kosovo’s National Theatre has a new director in Kushtrim Sheremeti, but the path to his appointment has not been an easy one and may not be over yet.

What a Way to Make a Living: the rise of feminist dramaturgy in the Western Balkans

FeaturesBy Ana FazekašFebruary 28, 2022

What is feminist dramaturgy? Ana Fazekaš explores the different forms feminist dramaturgical practice is taking across the Western Balkan region.

Unmapping Theater: German theater and its attitude towards the ‘East’

FeaturesBy Edona KryeziuFebruary 7, 2022

Edona Kryeziu looks at two recent festivals – Radar Ost and Post-West – and what they reveal about German theatre’s relationship with the ‘east’ 

The Ghosts on Your Shoulder: Igor Memic and Miran Hadžić in conversation

FeaturesBy Miran Hadžić and Igor MemicFebruary 3, 2022

British Bosnian playwrights Igor Memic and Miran Hadžić discuss Memic’s play Old Bridge, writing, identity, telling Bosnian stories in the UK and artistic responsibility.

A Light in the Dark: Remembering Igor Vuk Torbica

FeaturesBy Andrej ČanjiJanuary 25, 2022

As theatres in Serbia stage a tribute to Igor Vuk Torbica, Andrej Čanji looks back at the life, work and art of the talented young director

The Novak Djoković saga and Serbian cultural representation

FeaturesBy Duška Radosavljević KrojerJanuary 13, 2022

The ongoing saga surrounding Novak Djoković’s attempts to enter Australia has dominated headlines across the world. Duška Radosavljević Krojer explores the way the Serbian tennis star – and Serbian stories more generally – are represented in the media

Joakim Vujić’s Negri: how a forgotten Serbian classic was given new life

FeaturesBy Duška Radosavljević KrojerJanuary 6, 2022

In 2018, Andjelka Nikolić directed the premiere of Negri by Joakim Vujić. Duška Radosavljević Krojer explores why it took so long to bring the play to the stage and the challenges of staging a play about race in a modern Balkan context.

Keanu Reeves in The Matrix: Resurrections. Photo: Warner Bros

The Never-Ending Story: On The Matrix: Resurrections, time and memory

FeaturesBy Natasha TripneyJanuary 4, 2022

The Matrix: Resurrections revisits the saga 18 years on. Natasha Tripney attempts to unpick the film’s metatextual layers, its new resonance as a love story and asks whether it can be considered a post-Yugoslav movie?

No Longer Silent: How a Bosnian theatre festival became a focal point for the MeToo movement

FeaturesBy Natasha TripneyDecember 30, 2021

A look at how a Bosnian theatre festival in Brčko became the focal point for women’s resistance and solidarity, and galvanised the MeToo movement in the Balkans.

The Return of The Prefect – reviving the past

FeaturesBy Flamur DardeshiDecember 15, 2021

The National Theatre of Albania’s decision to present an ‘artistic reading’ of Besim Levonja’s communist-era comedy Prefekti (The Prefect) sparked controversy. Flamur Dardeshi explores the reasons why.

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