All Good Barbies
Đorđe Nešović’s humorous and relatable staging based on the novel by Katarina Mitrović about a young woman going through a life crisis.
Đorđe Nešović’s humorous and relatable staging based on the novel by Katarina Mitrović about a young woman going through a life crisis.
Milan Nešković’s lavish and well-acted but overly faithful production of Dušan Kovačević’s play.
Robert Lenard’s playful, funny and strongly performed dystopian cabaret – complete with AI–generated music – at Novi Sad Theatre.
The 16th edition of the regional contemporary theatre festival, Desiré Central Station will include work by Tomi Janežič, Jernej Lorenci, Kokan Mladenović and festival director Andraš Urban.
Veljko Mićunović’s strikingly staged but irresponsibly revisionist production based on the novel by Branimir Šćepanović at the Serbian National Theatre.
Andraš Urban directs a vibrant and dynamic production based on the novel by Laslo Vegel at the Serbian National Theatre in Novi Sad.
Swiss director Milo Rau re-enacts Sophocles’ tragedy with members of Brazil’s Landless Workers’ Movement (MST)
Tomi Janežič’s superbly acted and moving family drama is one of the best Serbian shows of recent years.
Carolina Bianchi impactfully fuses performance art and theatre in the first part of a trilogy about sexual violence.
Participatory installation performance by Irena Ristić and Đorđe Živadinović Grgur asking questions about the US whistleblower, information and identity.