The Centrifugal Dancer
Jug Đorđević’s assured and elgant revival of the Todor Manojlović’s first play for the Serbian National Theatre.
Jug Đorđević’s assured and elgant revival of the Todor Manojlović’s first play for the Serbian National Theatre.
Mia Knežević directs Đorđe Petrović’s compelling exploration of systemic corruption in Serbian society at the National Theatre of Sombor.
The programme of the 70th Sterijino pozorje will feature work by Boris Liješević and Zlatko Paković.
Veljko Mićunović directs a visually rich production of Marius von Mayenburg’s dystopian drama at the Yugoslav Drama Theatre.
Nikita Milivojević’s mandate as artistic director of BITEF has not been extended raising concerns about the future of the festival.
Andraš Urban directs a metatheatrical staging of Mikhail Bulgakov’s masterpiece critiquing Serbian society.
The faculties may be blockaded in Serbia, but theatre continues to be made. Divna Stojanov reports on a timely production of The Pillowman performed by students for students.
Serbian theatres will go on a seven day strike in February in a show of support for the student protestors.
Nikita Milivojević and Amalia Bennett direct a choreographically intricate stage version of Charlie Chaplin’s silent movie classic.
New erotically charged, sex positive choreographic piece from Station–Service for Contemporary Dance