The Mermaid
Nina Kuclar Stiković’s resonant and relatable 21st century update of the fairy tale reframes the story for our times.
Nina Kuclar Stiković’s resonant and relatable 21st century update of the fairy tale reframes the story for our times.
Nikita Milivojević and Amalia Bennett direct a choreographically intricate stage version of Charlie Chaplin’s silent movie classic.
New erotically charged, sex positive choreographic piece from Station–Service for Contemporary Dance
Duška Radosavljević speaks to theatre director Andjelka Nikolić and her collaborators about the current student protests in Serbia and what it means to stand in solidarity with them.
Since November last year, students have been protesting across Serbia, with support for them growing. Duška Radosavljević explores the reasons behind this current wave of student protests in Serbia and how they differ from past protest movements in the country. For the last three months Serbia has been a stage for an extraordinary political performance.…
US playwright Steven Leigh Morris’ White People is a play about American racial politics that has been reframed for a Balkan audience. Verity Healy explores the issues raised by the play around race and gender and looks at how you adapt a text for a different cultural context.
Director George Koutlis’s intensely physical ‘spiritual rave experience’ based on a text by Ivan Vyrypaev and featuring a troupe of 25 DJs, dancers and actors.
Slobodan Stanković directs a talented young ensemble of actors in a powerful play about a group of young men in a reform centre.
Žiga Divjak’s latest well-researched but frustratingly static performance lecture explores the fate of a flock of crows in the Netherlands.
Đorđe Nešović’s humorous and relatable staging based on the novel by Katarina Mitrović about a young woman going through a life crisis.