Theatre director and activist Andrej Nosov is the co-founder of cultural organisation Heartefact Fund. He talks to Nick Awde about cultural co-operation, political loneliness and the continuity of memory.
Blendi Arifi directs a tense production of David Mamet’s modern American classic in Gjilan.
This year’s POLIS Teatro Festival, which takes place annually in Ravenna, has a Balkan focus. Cofounders Agata Tomšič and Davide Sacco, of ErosAntEros, explain why they want to bring work from the region to Italian audiences.
Before joining the Mladinsko ensemble in 2019, Vito Weis spent many years working across drama, dance, and physical theatre. He spoke to Natasha Tripney about performing naked on stage, his collaborations with Žiga Divjak and his role in Duncan Macmillan’s People Places and Things.
In the latest in her series about relocating to Sweden, Duška Radosavljević Krojer discovers a link between her new hometown and the intelligence expert Stevan Dedijer.
Ivana Vuković’s well-observed and well-acted play about the pressures and precarity faced by local residents in Split during the tourist season.
Nina Rajić Kranjac discusses her acclaimed show Solo, her creative process, the forgotten Slovenian playwright Ivan Mrak and why she’d like to make show about love.
Bulgarian company Zong Theatre present an aesthetically striking production of Pedro Calderón de la Barca’s allegorical drama
Nastazja Domaradzka directs a highly atmospheric if sometimes unclear production of Tennessee Williams’ take on the Orpheus myth at the National Theater of Albania.
Theater Oberhausen’s New Stages South East Festival will present the work of young theatre artists from the region.