A Little History of Inequality
Miloš Lolić’s centuries’ sweeping exploration of generational wealth based on a graphic novel Capital and Ideology.
The Centrifugal Dancer
Jug Đorđević’s assured and elgant revival of the Todor Manojlović’s first play for the Serbian National Theatre.
Mario Banushi: “The Balkans aren’t just one thing; they’re many things.”
Following the premiere of his new show, MAMI, the rising star of the Greek theatre scene talks to Nick Verginis about his creative process and the Balkan influences in his work.
Izuzeti
Mia Knežević directs Đorđe Petrović’s compelling exploration of systemic corruption in Serbian society at the National Theatre of Sombor.
Programme announced for the 70th Sterijino pozorje
The programme of the 70th Sterijino pozorje will feature work by Boris Liješević and Zlatko Paković.
Eldorado
Veljko Mićunović directs a visually rich production of Marius von Mayenburg’s dystopian drama at the Yugoslav Drama Theatre.
MAMI
Mario Banushi’s latest production is a poetic, beautiful and moving exploration of motherhood and the act of caring.
1974
Richly crafted and brilliantly performed new chapter in Tomi Janežič;’s ambitious 12-part Dodekalogija project
Nikita Milivojević is no longer artistic director of BITEF
Nikita Milivojević’s mandate as artistic director of BITEF has not been extended raising concerns about the future of the festival.
Studio tres pas: “Everything we do comes from a place of joy”
Nora Čulić Matošić speaks to Studio tres pas, a new Croatian theatre company who place audience engagement and education at the heart of their work.