Under the Shade of a Tree I Sat and Wept
Jeton Neziraj’s new play, a coproduction between Qendra Multimedia and the Market Theatre in Johannesburg, explores reconciliation and forgiveness in Kosovo and South Africa.
Jeton Neziraj’s new play, a coproduction between Qendra Multimedia and the Market Theatre in Johannesburg, explores reconciliation and forgiveness in Kosovo and South Africa.
Jeton Neziraj’s new play, Under the Shade of a Tree I Sat and Wept, explores reconciliation and forgiveness processes in Kosovo and South Africa. Andrej Čanji spoke to the creative team about their research process and how they’re bringing these topics to the stage.
Jeton Neziraj’s potent reworking of a play inspired by the life and legacy of murdered architect Rexhep Luci
US playwright Steven Leigh Morris’ White People is a play about American racial politics that has been reframed for a Balkan audience. Verity Healy explores the issues raised by the play around race and gender and looks at how you adapt a text for a different cultural context.
Actors and artists from Kosovo and Serbia collaborate on an updated, bilingual version of Euripides tragedy
The Union of Artists of the National Theatre in Kosovo has been on a general strike since 15 November.
This year’s “Moisiu” National Theatre Festival will take place in Prishtina and feature work by Blerta Neziraj and Davide Iodice.
Adrian Morina and Gresa Pallaska excel in Qëndrim Rijani’s lavish production of Shakespeare’s tragedy for the National Theatre of Kosovo.
Norbert Rakowski directs a psychologically rich production of Witold Gombrowicz’s dream-play at the National Theater of Kosovo.
Nick Awde talks to playwright Jeton Neziraj and director Blerta Neziraj about Six Against Turkey, their darkly comic new play about the fallout from the 2016 coup in Turkey and the long reach of oppressive regimes.