Jan92022 Blerta Neziraj: “As a female theatre director in Kosovo, you have to fight constantly.” InterviewBy Verity HealeyJanuary 9, 2022 Details
Jan62022 Joakim Vujić’s Negri: how a forgotten Serbian classic was given new life FeaturesBy Duška Radosavljević KrojerJanuary 6, 2022 Details
Jan42022 Nicoleta Esinencu: On making enemies and creating communities InterviewBy Tom MustrophJanuary 4, 2022 Details
Jan42022 The Never-Ending Story: On The Matrix: Resurrections, time and memory FeaturesBy Natasha TripneyJanuary 4, 2022 Details
Dec302021 No Longer Silent: How a Bosnian theatre festival became a focal point for the MeToo movement FeaturesBy Natasha TripneyDecember 30, 2021 Details
Dec202021 Andras Dömötör: “We have to steal back our nationality” InterviewBy Tom MustrophDecember 20, 2021 Details
Dec162021 Belarus Free Theatre: “We are stronger than a dictatorship” InterviewBy Tom MustrophDecember 16, 2021 Details
Dec152021 The Return of The Prefect – reviving the past FeaturesBy Flamur DardeshiDecember 15, 2021 Details
Dec152021 Theatre is a memory machine – mapping history from below FeaturesBy Darija DavidovicDecember 15, 2021 Details
Dec132021 Alone: Belarus Free Theatre and the Ukrainian rock star activist FeaturesBy Natasha TripneyDecember 13, 2021 Details
