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Southeastern Europe has a vibrant and lively theater scene. The work produced by some of the theaters in Zagreb, Prishtina, Belgrade or Sarajevo can often feel like the antithesis of tired western European theater.
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Interviews and features

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Jan92022

Blerta Neziraj: “As a female theatre director in Kosovo, you have to fight constantly.”

InterviewBy Verity HealeyJanuary 9, 2022
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Jan62022

Joakim Vujić’s Negri: how a forgotten Serbian classic was given new life

FeaturesBy Duška Radosavljević KrojerJanuary 6, 2022
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Jan42022

Nicoleta Esinencu: On making enemies and creating communities

InterviewBy Tom MustrophJanuary 4, 2022
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Jan42022

Keanu Reeves in The Matrix: Resurrections. Photo: Warner Bros

The Never-Ending Story: On The Matrix: Resurrections, time and memory

FeaturesBy Natasha TripneyJanuary 4, 2022
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Dec302021

No Longer Silent: How a Bosnian theatre festival became a focal point for the MeToo movement

FeaturesBy Natasha TripneyDecember 30, 2021
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Dec202021

Andras Dömötör: “We have to steal back our nationality”

InterviewBy Tom MustrophDecember 20, 2021
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Dec162021

Belarus Free Theatre: “We are stronger than a dictatorship”

InterviewBy Tom MustrophDecember 16, 2021
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Dec152021

The Return of The Prefect – reviving the past

FeaturesBy Flamur DardeshiDecember 15, 2021
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Dec152021

Theatre is a memory machine – mapping history from below

FeaturesBy Darija DavidovicDecember 15, 2021
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Dec132021

Boombox frontman Andrei Khluvniuk in Alone. Photo by Justin Sutcliffe

Alone: Belarus Free Theatre and the Ukrainian rock star activist

FeaturesBy Natasha TripneyDecember 13, 2021
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Address: St. Idriz Gjilani, 7/9, Dardania, Prishtina Republic of Kosovo
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