Mar32022 Kosovo’s National Theatre Has a New Director (maybe) FeaturesBy Flamur DardeshiMarch 3, 2022 Details
Mar12022 Ema Andrea: “Freedom is not something that is given to you; it is something you fight for” InterviewBy Flamur DardeshiMarch 1, 2022 Details
Feb282022 What a Way to Make a Living: the rise of feminist dramaturgy in the Western Balkans FeaturesBy Ana FazekašFebruary 28, 2022 Details
Feb202022 Boban Aleksoski: “As artists, it’s our job to unite people” InterviewBy Ivanka Apostolova BaskarFebruary 20, 2022 Details
Feb142022 Zlatko Paković: “Theater is a matter of radical imagination” InterviewBy Darija DavidovicFebruary 14, 2022 Details
Feb72022 Unmapping Theater: German theater and its attitude towards the ‘East’ FeaturesBy Edona KryeziuFebruary 7, 2022 Details
Feb32022 The Ghosts on Your Shoulder: Igor Memic and Miran Hadžić in conversation FeaturesBy Miran Hadžić and Igor MemicFebruary 3, 2022 Details
Jan252022 A Light in the Dark: Remembering Igor Vuk Torbica FeaturesBy Andrej ČanjiJanuary 25, 2022 Details
Jan162022 Espi Tomičić: “It’s no longer shameful to talk about your background if you have grown up poor” InterviewBy Ana FazekašJanuary 16, 2022 Details
Jan132022 The Novak Djoković saga and Serbian cultural representation FeaturesBy Duška Radosavljević KrojerJanuary 13, 2022 Details
