Apr42022 Laibach: “We don’t belong to one state only – we belong to all of them” InterviewBy Tom MustrophApril 4, 2022 Details
Apr12022 Dejan Angelov: “Only with a thirst for knowledge can we create change” InterviewBy Ivanka Apostolova BaskarApril 1, 2022 Details
Mar292022 Oliver Frljić: “Theatre is what happens in the heads of the audience” InterviewBy Tom MustrophMarch 29, 2022 Details
Mar272022 Independent theatre in Romania: “You can’t change the system from the inside” FeaturesBy Natasha TripneyMarch 27, 2022 Details
Mar202022 Ecocide is Everywhere in Serbia, but Eco-Theatre Remains on the Fringes FeaturesBy Borisav MaticMarch 20, 2022 Details
Mar182022 Yllka Gashi: “When you play a real person, it’s a huge responsibility” InterviewBy Natasha TripneyMarch 18, 2022 Details
Mar152022 Challenging the Western Gaze: staging Serbian stories in the UK FeaturesBy Ella Dorman-Gajic and Tanya CubricMarch 15, 2022 Details
Mar142022 Eva Kamchevska: “Something is very rotten in the system” InterviewBy Ivanka Apostolova BaskarMarch 14, 2022 Details
Mar72022 Novi Sad European Capital of Culture 2022: a guide to the theatre programme FeaturesBy Borisav MaticMarch 7, 2022 Details
Mar62022 Ivor Martinić: “Dramaturgs are the most underestimated part of the theatre machinery” InterviewBy Ana FazekašMarch 6, 2022 Details
